Papercut Art builds the picture the way a paper artist would: layer by layer. Sheets of paper stack into one scene – mountain ridges, rolling hills, waves and skylines that reroll with every seed, animals, clouds you can billow and fray, a punched moon or a sun, and your own words in real paper letters, counters and all. One shared light casts the shadows between the layers, and that is where the depth comes from.
Everything you place stays a thing you can grab. Click it in the picture, drag it anywhere, turn it, resize it by its corners, send it to the layer behind or in front, or punch it out of the paper as a hole. Nothing is locked to a horizon, nothing is baked in, and Ctrl+Z always leads back.
Or start from a photograph. The picture is sliced along its DEPTH, using the editor’s own local depth model, so what ends up in front really was in front. Each layer can take its colour straight from the photo, and the subject cutout lifts a person or product onto the front layer. Everything happens on your device; nothing is uploaded anywhere.
The look runs on three dials instead of a list of names: the colour comes from a palette or from your photo, the paper is smooth or fibrous, and the layers are separated by a deep soft shadow or a narrow hard rim. Ready looks and ready scenes sit on top of them as starting points. Insert the result as editable layers, one per sheet of paper.
